Oliver Wainwright on rethinking the Serpentine Pavilion


Ishigami’s structure is a striking object, but it could have been so much better, and it is a frustrating outcome in what has been a troubled year for the Serpentine. [...] After almost 20 years of commissioning novelty structures to host summer parties for sponsors, it feels like the format could do with a rethink and look beyond the bounds of the gallery’s garden, and the collectors’ estates where the structures end up.



A few days before the opening of the 2019 Serpentine Pavilion, Oliver Wainwright of The Guardian wrote a piece calling for the Serpentine Galleries to consider rethinking the format of the yearly Serpentine Pavilion program (like appointing the architects earlier, for starters). It's been a rough year wrought with controversy for the Serpentine — from Junya Ishigami's practice being criticized for employing unpaid interns, to the troubles of working with a tight construction schedule for highly conceptual pavilion designs (and it shows in this year's pavilion), to the sudden resignation of the gallery's CEO Yana Peel. 

Justine Testado via Archinect - News http://bit.ly/2x0GYQX

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