Into the Uncanny Valley


Architectural representations often embody the tension between familiar and unfamiliar. In an effective rendering, the new buildings or landscapes share the same illusionistic space with images of existing buildings or landscapes, producing an almost exquisite confusion between real and unreal.



Architectural renderings are not photographs; or are they? Susan Piedmont-Palladino examines the hyper-real imagined worlds of contemporary architectural drawings through theories of the uncanny, and considers the disconcerting effect that occurs when "we can't quite sort out the relationship of an image to the world."

Places Journal via Archinect - News http://bit.ly/2vK0a7S

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