Reflecting Prada's philosophical roots in Arte Povera, plus other ghosts of midcentury modernism


I kept running my hands over the tower’s concrete walls. Infused with Carrara marble and poured by construction workers who wore white gloves, they feel smooth as silk. The big rectangular and wedge-shaped galleries, windows alternating between panoramas of the city and narrow views over the campus, accommodate best the large-scale works in the inaugural show



Earlier this year Michael Kimmelman traveled to Milan, for the completion of 'Torre',  cornerstone of Fondazione Prada's new campus, by OMA.

Back in April, davvid shared his own review "It's very nice. The whole...complex is beautiful."


Nam Henderson via Archinect - News http://bit.ly/2Lqa15p

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